- People Facetune Instagram
- People Facetune Instagram Extension
- People Facetune Instagram App
Instagram makeup at its finest. (Photo: Kylie Jenner Instagram)
How has Instagram changed the way millennials are approaching plastic surgery procedures? “Our younger patients are showing me images they have of themselves or ones that they aspire to–from Instagram,” said Dr. Stafford Broumand, plastic surgeon of 740 Park Plastic Surgery. His patients are also bringing in photos of Chrissy Teigen (7.8 million followers), Taylor Swift (86.5 million followers) and Karlie Kloss (5 million followers)—all Instagram favorites with huge followings, which isn’t a coincidence. Dr. Broumand has seen what he calls a “dramatic shift” in procedures since the rise of Instagram. Patients want younger and less tired eyes, eyelid surgery, jawline surgery, neck liposuction, less wrinkles and fuller lips–especially the social media savvy ones.
Snapchat offers a glimpse into a celebrity’s lifestyle, along with their expensive and intensive makeup routine; but Instagram is the far superior platform to show off makeup skills, especially since images can be heavily edited with apps Perfect365 (it’s the self-proclaimed “best free makeover app,” with people sharing their own before and after photos) and FaceTune. Search #makeup and 88,388,486 posts immediately appear, with regular, everyday folks demonstrating their elaborate routines.
30 Pictures Showing How Fake Instagram Photos Can Be. Published 2 years ago. Like Demilked on Facebook: Judging by their Instagram photos, some people seem to be living the perfect lives – always on some kind of trip, driving fast cars and eating delicious food while looking their best. “Man, I wish my life was so perfect,” you may think. Hi guys, finally sharing with you guys how I edit my instagram pictures, selfies & outfit pictures using facetune, vsco, snapseed, unum and more.
“I think with Instagram, people get a little bit carried away,” celebrity makeup artistRamy Gafni told the Observer, explaining that he’ll meet social media friends and not recognize them because they look so different without the heavy duty editing.
Using Perfect365 you can Catfish someone with your own photo. (Photo: Perfect365)
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As Instagram has increased in popularity, a specific style of makeup began bombarding social media posts. It seemed impossible to scroll through a feed without seeing the Insta-look–heavily drawn eyebrows, contouring worthy of any of the Kardashian sisters and a heavy, matte liquid lipstick (usually courtesy of a Kylie Lip Kit). And now, the Kylie Lip Kit isn’t all that the Kardashian empire is offering—Kylie’s introducing an eyeshadow palette.
Ramy explained the current Instagram face started with YouTube tutorials. “Everything is a little bit exaggerated for dramatic effect on camera,” he said, and after doing faces for Taylor Swift, Rihanna and Amy Poehler, he is an expert on camera ready looks. “You’re going to wear a little big of a brighter lip color, [use] a little heavier hand with the brow filler.”
“It’s as old as Kim Kardashian’s original face.”
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New trends are introduced to stay up-to-date with this Insta-makeup concept, but also to sell palettes and products. “There’s nothing new under the sun,” Ramy said, bringing up highlight, strobing and contouring as examples. “It’s all marketing. It’s all semantics, honestly. I’ve been doing this so many years, I’ve never seen new terms being cranked out like this.” Ramy was recently asked to weigh in on “sandbagging,” a powder technique using heavy, loose powder under the eyes so makeup doesn’t run. When asked if it was new, Ramy responded, “It’s as old as Kim Kardashian’s original face.”
Kim Kardashian showing off the “sandbagging” technique. (Photo: Instagram)
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Ramy thinks some of the more elaborate makeup can be excessive (“Look at the palette I have, it’s all on my eyes right now!”) especially if the makeup artist is an Instagram amateur. “When I see that kind of makeup, to me it screams amateur…or drag queen, which is great if that’s your objective—but unless you’re RuPaul, there’s really no reason to have that much makeup on,” Ramy joked. He’s a firm believer that makeup should enhance, not make it look like you’ve had plastic surgery. He prides himself on carrying only a few colors to a job, so he can mix and match. “Just get the one correct shade, it’s all the magic you need,” he recommends, instead of loading up on palettes you’ll inevitably not completely use.
“Unless you’re RuPaul, there’s really no reason to have that much makeup on.”
“Instagram and beauty bloggers are usually artists who have only learned to master their own face, got a lot of compliments and decided to share their vision of beauty,” freelance makeup artist Sami Heacock told the Observer. Heacock suggests people use Instagram to learn about makeup, but then branch out from there. If they continue following beauty bloggers, they won’t learn what makeup looks good on their own face—and, everyone will walk around with the same badly drawn brows and highlighted cheekbones.
A typical Instagram #makeuphaul. (Photo: beatfacefridayy Instagram)
Enhancements, ranging from lip injections to eyelash extensions, have also grown in popularity since the rise of social media. Clementina Richardson of Envious Lashes told the Observer that Snapchat and Instagram have become one of the biggest drivers for new clients to pursue eyelash extensions, after hearing about her through social media.
“Women are always looking for ways to step up their Instagram game, take better photos and curate an enviable feed, without having to spend too much editing and filtering their images. Lash extensions help women celebrate their natural features instead of trying to totally change up their looks,” Richardson said. Most customers are looking for Kylie Jenner or Kim Kardashian lashes–which, unsurprisingly, are also the bodies and faces most asked for by plastic surgeons, according to Dr. Broumand.
https://newpapers.amebaownd.com/posts/19673073. With a 3D cartoon aspect, we can build and expand our village, create an army, and fight against thousands of other online players in a really addictive, fun, and never-ending game.Fight to death against barbarians, wizards or dwarves in a world of fantasy. Yes, even after being more than six years on the market, Clash of Clans is still one of the favorite strategy-based mobile video games for many users.
C or lua. Narcissism is now not only accepted, it’s expected. And if you stare at your face for long enough, you’re certain to notice what’s wrong, whether it’s a wrinkle, a too-thin upper lip or lashes that could be just a little bit longer. Once you correct it using an app, what’s the harm in correcting it in real life? With the right enhancements, you can finally be a filter come to life. As Amy Schumer says, like the Kardashians, we can now take the faces we were born with as a light suggestion.
As the body-positivity movement progresses, Photoshop has become more and more taboo. It’s no longer en vogue to edit someone beyond recognition. Now, brands and magazines are taking note of the power of natural beauty and showing celebrities in their most real, unretouched forms. Still many stars still use Photoshop and apps like FaceTune to edit their Instagrams.
MORE: 10 Celebrities Who Called Out Magazines for Photoshopping Their Bodies
They might not talk about it, but it’s there. Ahead, we’ve collected 10 celebrities who confessed to using FaceTune to alter their selfies. Many of these stars aren’t proud and no longer use the app, while others believe there’s no harm in editing a small detail here and there. Whatever their current view on Photoshop is, it’s their choice to use or not use it, and we’re no one to judge. We don’t blame anyone for their reaction to societal beauty standards that have been haunting us for decades. Find out which celebrities have admitted to using Photoshop ahead.
Lua uses a virtual stack to pass values to and from C. Each element in this stack represents a Lua value (nil, number, string, etc.).Whenever Lua calls C, the called function gets a new stack, which is independent of previous stacks and of stacks of C functions that are still active. Lua 作为一门嵌入式语言，提供了完备的 C API 供 Lua 代码和宿主程序交互，当然，宿主语言最好是 C 或 C 。如果是其它语言，比如最近两年流行的在 mono 环境嵌入 Lua 另当别论。.
- C Lua_pcall
- C Lua Binding
Product & Tech
Introduction
The Roblox engine is written in a combination of C++ and Lua, with the code that performs computationally intensive operations written in optimized C++, while game logic and scripts are written in Lua, for ease of development. For this model to be effective, it requires that the transitions between Lua and C++ be as fast as possible, as any time spent in this no man’s land is essentially just wasted milliseconds.
Over the past couple of months, we’ve been rolling out various improvements to this part of the system. One part specifically—the actual invocation of C++ methods from Lua—was particularly interesting, as it led to considerable speed improvements and required digging around in the guts of Lua to understand how things worked under the hood.
We ended up modifying the Lua VM itself, but before we get to that, we need to lay some groundwork.
Compilers, VM, and bytecode
When Lua source code is compiled, it’s compiled into Lua bytecode, which the Lua VM then runs. Lua bytecode has around 35 instructions in total, for things like reading/writing tables, calling functions, performing binary operations, jumps and conditionals, and so on. The Lua VM is register-based, as opposed to being stack-based like many other VMs, so part of what the compiler does when it generates bytecode is determine which registers each instruction should use.
Each instruction has the form “OP_CODE A B,” or “OP_CODE A B C,” where “OP_CODE” is the opcode (for example, CALL for calling a function) and A/B/C are the opcode arguments. The arguments (or registers) aren’t actual values. Instead, they are indices that point into one of two tables: the constant table (written Kst(..)) or the register table (written R(..)).
Interlude
For a detailed description of Lua bytecode, see “A No-Frills introduction to Lua 5.1 VM Instructions.” It’s a lot more exciting than it sounds; I promise!
To give you a feel for what Lua bytecode looks like, we’re going to go over some simple programs first and then progress to some more relevant examples.
Interlude
Using the Chunkspy utility, we can disassemble Lua bytecode into Lua assembly and get a listing of the code, as well as the constant table, so we can essentially see what bytecode gets generated for any given Lua source code.
Basic bytecode examples
A simple program like “x = 10” compiles into:
The first two lines show the constant table (with the string value “x” in slot 0 and the integer value 10 in slot 1), and the following two lines are the disassembled opcodes.
[Line 1] Looking up the LOADK opcode in “No Frills,” we see that it has the form “LOADK A Bx — R(A) := Kst(Bx).” So, LOADK has two arguments (registers A and B) and its operation is to assign the value found in the constant table at the slot given by the second register, Kst(Bx), to the register table in the slot given by the first argument, R(A). “Bx” just means that because the opcode only has two arguments, the B register is extended and assigned more bits.
[Line 2] SETGLOBAL has the form “SETGLOBAL A Bx — Gbl[Kst(Bx)] := R(A).” It assigns a value to the global table using the key given by the constant table at the slot of the second argument. Because the second argument is 0 and the value of the constant table at 0 is “x,” it writes something to the global table using the key “x.” Whatever is in the register table at the slot given by the first argument is what’s being written, which the previous instruction loaded with the value 10.
Let’s look at a slightly more complicated example, “x = 10; y = x.” I’ll leave the manual execution of the code as an exercise for the reader. 🙂
Bytecode for function calls
Let’s look at the code generated for “foo(10):”
To execute function calls, the function must be loaded into the first register and arguments into subsequent ones. The semantics for “CALL A B C” are such that A holds the function, B is the number of arguments (actually, it’s the number of arguments +1, due to the way “…” is implemented), and C is the number of return values (again, it’s the number of return values +1, to handle multiple return values).
We’re familiar with the first two lines; they load a value into register table slot 0 and the value 10 into register table slot 1. The third line is what performs the function call, using the value in register A (register table slot 0, which was loaded with “foo”), with B specifying the number of arguments, and C the number of return values (remember, both B and C should have 1 added to their values). Before the function can be called, the VM also verifies that the value in R(A) is in fact callable.
Interlude — Metafunctions, metatables, and userdata
Lua has a mechanism that allows users to extend the functionality of tables by associating a metatable with an existing table. The metatable contains fallback methods that are invoked if a certain method or operation can’t be performed on the main table (see https://www.lua.org/pil/13.html for a thorough description).
For our purposes, the most relevant entries in the metatable are the “__index” and “__call” fields. __index is used when looking up an element in a table, so the code “local x = my_table[10]” would first call the __index method on my_table. If that failed, it would instead try to call __index on my_table’s metatable. __call is similarly used when you try to treat something as a function and call it “local x = foo(42),” for example
In order for Lua and C++ to interoperate, they need some way to be able to share functions and data. Lua facilitates this by providing a data type called UserData. UserData objects can be created in C++ land, and because they are native Lua data types, they can be adorned with metatables that allows Lua code to interact with them as if they were just regular Lua objects.
Member function calls
Okay, back to looking at some bytecode! This next example is a bit more interesting because it shows what happens when you have code like “foo:bar(10),” which is calling the bar method on the instance foo (an instance of the class Foo).
The new thing here is the self instruction [line 2], which we haven’t seen before. Self has the syntax “SELF A B C — R(A) := R(B)[RK(C)]; R(A+1) := R(B),” so let’s break this down. In the register table at slot R(A), it will place the result of looking up the table in register slot R(B) using the key in slot RK(C). It will also copy whatever was in slot R(B) into slot R(A+1), but more on this later. You might notice that the value of the C register is 257. This is valid because Lua is using RK(C) to look up the value, and RK will either use the register table or the constant table, depending on the value of 9:th bit. If it’s a 1, which it is in this case, then the constant table is used; otherwise, the lookup goes to the register table (after masking out the highest bit).
Line 3 places 10 in slot 2, and finally line 4 will execute the function call.
The SELF instruction serves two purposes. First, it looks for the “bar” method on the Foo class, and places it in R(A). Secondly, because foo is an instance method and we need the instance of the class that we’re invoking the method on when doing the call, it places this instance in R(A+1). If you’re familiar with classes in Python, then you might recognize the concept: methods are usually written as “def my_method(self, arg1, arg2..),” where self is the class instance.
We’ll need to dig into this a little deeper and take a look at what happens when the foo instance is a C++ object, represented in Lua as a UserData object.
The SELF call can be seen as a table lookup, i.e. Foo[“bar”] (capital Foo represents the class Foo, as opposed to foo, the instance), and we know that lookups will use the __index method. When the foo instance was created in C++ land, a metatable was associated with the instan]]>
